From inside the scenario in the previous post.
The Postman
Ṣabrī Mūsā (al-Qāhirah: Muʾassasat Rūz al-Yūsuf, [1983]). Scenario of the film based on Yaḥyā Ḥaqqī's Dīmāʾ wa-ṭīn.
Middle Eastern Airlines Advertisement
Ḥiwār, Jan. 1963, p. 128.
Arijco Advertisement
Ḥiwār Jan. 1963, p. 127.
Long Live Algeria - Painting Seven
Ḥiwār, Jan. 1963, p. 104. Painting by Aref Rayess.
Long Live Algeria - Painting Six
Ḥiwār, Jan. 1963, p. 103. Painting by Aref Rayess
Long Live Algeria - Painting Five
Ḥiwār, Jan. 1963, p. 102. Painting by Aref Rayess
Long Live Algeria - Painting Four
Painting by Aref Rayess. Ḥiwār Jan. 1963, p. 102.
Long Live Algeria - Painting Three
Ḥiwār, Jan. 1963, p. 101. Painting by Aref Rayess
Long Live Algeria - Painting Two
Painting by Aref Rayess. Ḥiwār, Jan. 1963, p. 100.
Taḥyah li-l-Jazāʾir by ʿĀrif al-Rayyis
Ḥiwār, Jan. 1963, p. 99. Painting by Aref Rayess
Painting by Lūr Ghurayyib
Ḥiwār, Jan. 1963, p. 72. Painting by poet, journalist, and artist Laure Ghorayeb
Ḥiwār
@tlthom happens to have a bunch of issues of Ḥiwār, Tawfīq Ṣayigh's journal that became embroiled in a controversy about CIA funding through the Congress for Cultural Freedom. There's some amazing stuff in these, so let's have a look for several weeks at what we find in them.
Adunis: Be A Prophet, O Blind Man
Tanabbaʼ ayyuhā al-aʻmā (Bayrūt : Dār al-Sāqī, 2005
Adunis: History Is Rent to Shreds in the Body of a Woman
Tārīkh yatamazzaq fī jasad imraʼah: qaṣīdah bi-aṣwāt mutaʻaddidah (Bayrūt : Dār al-Sāqī, 2007
Adunis: Singular in Plural Form
Mufrad bi-ṣīghat al-jamʻ: ṣiyāghah nihāʼīyah (Bayrūt : Dār al-Ādāb, 1988
Adunis: First Poems
Qaṣāʼid ūlā, 1929-1955: ṣiyāghah nihāʼīyah (Bayrūt : Dār al-Ādāb, 1988)
Adunis: The Regime and Speech
al-Niẓām wa-l-kalām (Bayrūt: Dār al-Ādāb, 1993)
Adunis: Correspondences and Firsts
al-Muṭābaqāt wa-l-awāʼil: ṣiyāghah nihāʼiyah (Bayrūt : Dār al-Ādāb, 1988
Adunis: The Black Sea
al-Muḥīṭ al-Aswad (Bayrūt: Dār al-Sāqī, 2005)